I Violin Concerto
piano reduction
''The music of the Concerto flows smoothly and in an unaffected manner typical of the ''real'' eighteenth-century classical concertos. Thus there is no usual disparity between the ''pattern'' and its neoclassical ''interpretation''. In fact, what matters here is not ''interpretation'' or ''distortion'', but a complete integration of the traditional model with the composer's own stylistical idiom. The composition follows the pattern of the classical concerto with its three-movement form and its dramatic progress typical of the genre (...). The ''classical'' orchestra conducting a subtle dialogue with the solo instrument adds a transparent quality to the orchestration, although there are also some passages of richer sonority in the Concerto. [M. Gąsiorowska, op. cit.]
- Editor: Maciej Jabłoński, Antoni Cofalik
- ISMN 979-0-2740-0632-7
- Language of edition: eng, pol
- Number of pages: 32+16
- Cover: softcover
- No. of edition: 1
- Published: 2009
- Type: piano reduction, solo part (instrument)
- Size: N4 vertical (235x305 mm)
