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All of the Polish prewar films with Wars's music (over 50) have songs which still today belong to the standard repertoire of light music singers, e.g. "Love Is Always Forgiving" (A Spy in Disguise, premiered in 1933 with Hanka Ordonówna in the main part); "Ruthless Bastard" (The Warsaw Singer, premiered in 1934 with Eugeniusz Bodo); "That's What I Like" (Bolek and Lolek, premiered in 1936 with Adolf Dymsza); "Where Does Agnieszka Live" (A Team of Three Rogues premiered in 1937); "I Feel Fantastic" (Lady Minister Dances, premiered in 1937 with Tola Mankiewiczówna); "Sleep, My Darling" (Paweł and Gaweł, premiered in 1938 with Eugeniusz Bodo and Adolf Dymsza); "Sex Appeal" and "I Have a Date with Her at 9 a.m." ((One Floor Above, premiered in 1938 with Eugeniusz Bodo); "You Won't Forget Me" and "How Nice" (The Forgotten Melody, premiered in 1938 with Aleksander Żabczyński and Adam Aston); "Only in Lvov" and "Goodnight, Shut Your Eyes" (The Tramps, premiered in 1939 with Szczepko and Tońko). In Poland Wars collaborated mainly with the film director Michał Waszyński (1904-65), composing incidental music for the following films: The Voice of the Desert (1932), Unknown Heroes (1932), His Excellency the Salesman (1933), The Warsaw Singer (1934), The Black Pearl (1934), Antek the Policeman (1935), The ABC of Love (1935), His Excellency the Chauffeur (1935), The Girl at the Poste Restante (1935), It Will Be Better (1936), Bolek and Lolek (1936), Dodek at the Front (1936), The Siberia Heroes (1936), Daddy Is Getting Married (1936), The Folk Healer (1937), Second Youth (1938), The Last Brigade (1938), The Tramps (1939) and A Long Way (1946). Wars also contributed incidental music for some films made by other film directors, such as Juliusz Gardan (1901-44) – Sentence of Death (1933), Is Lucyna a Girl (1934), Lady Minister Dances (1937); Mieczysław Krawicz (1893-1944) – A Spy in Disguise (1933), Paul and Gaul (1938), A Sportsman by Accident (1940); Henryk Szaro (1900-42) – The Entailer Michorowski (1937), A Team of Three Rogues (1937), Krystyna's Lie (1939) and Leon Trystan (1900-41) – Two Days in Paradise (1936), One Floor Above (1938). In the 1930s Wars was also active as a conductor in some variety theatres (Morskie Oko, Cyrulik Warszawski), a jazz pianist and musical director and conductor in the record company Syrena Rekord. He also conducted concerts organized by the Symphonic Music Association (1938-39). Upon the outbreak of the Second World War Wars was conscripted into the army and fought in the Polish September Campaign of 1939. Taken prisoner by Soviet soldiers, he escaped from the rail transport and reached Lvov where, in 1940, he formed the light music band "Tea-Jazz", with Eugeniusz Bodo as the master of ceremonies. Between 1940 and 1941 the band gave a number of concerts in the Soviet Union and in 1942 it was incorporated into Anders's Army with which it left for Persia.
As musical director of the "Polish Parade" ensemble formed mainly from the Lvov "Tea-Jazz" band musicians belonging to the 2nd Corps, Wars composed numerous songs and musicals, some of which were unfortunately lost. The Ref-Ren's (Feliks Konarski's) album entitled "Songs from Helenka's Rucksack", which was published in 1946 in Rome, included some of Wars's compositions, such as "Helenka the Volunteer", "Maybe a Day..., Maybe a Year", "Along the Milky Way", "Poles, to Arms!" and "Five to Noon". Wars's combat trail led him from Teheran through Baghdad and Palestine to Italy where, after a cessation of hostilities, he was decorated with the medal Cavaliere della Croce by the last king of Italy, and the "Polish Parade" ensemble received a prize as the best Allied musical ensemble. A Long Way (1946) was the first post-war film with Wars's music, produced in Italy. In 1947 Wars emigrated to the USA and settled in Los Angeles. At first he worked as a copyist and arranger and, starting in 1951, he composed soundtracks over a period of twenty years. In the 1950s Wars often collaborated with other film music composers (Daniele Amfitheatrof, Mischa Bakaleinikoff, Paul Metz, Arthur Morton, Hans Salter, Clifford Vaughan) and that is why he was not always mentioned as a composer of a specific soundtrack. The film Chained for Life (premiered in 1951, directed by Harry L. Fraser) was the first American film with Wars's music. In the USA Wars collaborated with several film studios, such as Columbia, Universal, Twentieth-century Fox, MGM, United Artists and Paramount Pictures; he composed soundtracks for about 30 films and TV serials. The most popular are: The Big Heat (premiered 1953, directed by Fritz Lang), Ski Crazy! (premiered 1955, dir. by Gordon McLean), Seven Men from Now (premiered 1956, dir. by Budd Boetticher), China Doll (premiered 1958, dir. by Frank Borzage), The Little Shepherd of Kingdom Come (premiered 1961, dir. by Andrew V. McLaglen), Flipper [My Friend Dolphin] (premiered 1963, dir. by James B. Clark), Daktari (premiered 1966, dir. by Paul Landres and Otto Lang) and Fools' Parade (premiered 1971, dir. by Andrew V. McLaglen).
Wars was also a composer of symphonic music. Discovered in 2002, the manuscripts of his Symphony No. 1 (in four movements) for orchestra, an orchestral suite City Sketches, the Sonatina (in three movements) for orchestra (dedicated to Ravel), the Piano Concerto (in one movement), Maalot for Orchestra (orchestral overture), Adagio for Orchestra, Religioso for Orchestra as well as other minor compositions and numerous drafts dating mainly from 1947-51 were passed on to the collections of the Polish Music Centre attached to the University of Southern California by Elżbieta Wars, the composer's widow in 2005. The Symphony No. 1, together with the Piano Concerto, City Sketches and Maalot were performed during the Film Music Festival in Łódź in 2005. Wars's compositions are very melodious. His orchestral works (e.g. Symphony No. 1) were influenced by Szymanowski, Skriabin and Ravel with regard to their sophisticated scoring and individual harmonies.
In the early 1930s in Paris, Wars met Ravel and Gershwin; his orchestral triptych City Sketches (High-Rise; Downtown Blues; Freeway Scherzo) is stylistically related to An American in Paris as well as to some jazz elements in Ravel's late compositions. In his songs and light instrumental pieces, Wars was a kind of Polish Irving Berlin or Cole Porter. He collaborated with Julian Tuwim, E. Schlechter, F. Konarski, K. Tom and M. Hemar, among other lyricists. Wars's film music of 1930s is very much like American film music. In Hollywood Wars mainly composed soundtracks for western films. Bing Crosby, Doris Day, Margaret Whiting, Mel Torme as well as the Ice Capades and Ice Follies ensembles performed his songs dating from the 1950s and 1960s. The song "I Have a Date with Her at 9.00" appeared in the film The Pianist (premiered 2002, directed by Roman Polański).
Administratorem dobrowolnie podanych danych osobowych jest Polskie Wydawnictwo Muzyczne z siedzibą w Krakowie (31-111) przy Al. Krasińskiego 11A. Twoje dane osobowe będą przetwarzane w celu wysyłki Newslettera zawierającego informacje marketingowe administratora danych. Posiada Pani/Pan prawo dostępu do treści oraz poprawiania swoich danych osobowych. Informujemy, iż poza podmiotami uprawnionymi na podstawie przepisów prawa, zebrane dane osobowe nie będą udostępniane.