PWM

search
Advanced
Ministerstwo Kultury i Dziedzictwa Narodowego
biuletyn informacji publicznej

News

The Success of Polish Music in Moscow

2011-10-17
The concert by Sinfonietta Cracovia orchestra under the baton of maestro Krzysztof Penderecki at the Piotr Tchaikovsky Moscow Conservatory, one of the most prestigious focal points of musical performance in the Russian capital, ended with a standing ovation, enthusiastic cheers and an encore. The concert opened the Small Festival of Polish Chamber Music, held on 14-15 October. Well received Polish artists presented the Moscow audience with music that was interesting from both the point of view of performance and of the preparation of the programme. On the first day of the Festival, Sinfonietta Cracovia, led by Robert Kabara, who appeared also as a soloist for the viola concerto, perfectly performed the Chaconne and the aforementioned Concerto for Viola, Percussion and Celesta by Krzysztof Penderecki, the Concerto for String Orchestra by Grażyna Bacewicz, and Souvenir de Florence by Piotr Tchaikovsky, and encoring Wojciech Kilar’s Orawa.

On the second day, the leading Polish soloists of the younger generation: Janusz Wawrowski and Anna Maria Staśkiewicz (violin), Katarzyna Budnik- Gałązka (viola), Marcin Zdunik and Magdalena Bojanowicz (cello), in collaboration with Ewa Pobłocka (piano), presented Witold Maliszewski’s String Quintet, Igor Stravinsky’s Italian Suite (arranged for string quartet by Marcin Zdunik) and Juliusz Zarębski’s Piano Quintet in chamber groups specially created for the occasion.
 
Polish artists conquered the audience with their level of performance, commitment, energy and obvious joy of playing, showing the very best of our chamber music in a concise two-day festival.
The festival in Moscow was organised under the framework of the Polish Presidency of the European Union by the Kraków Industrial Society (KTP).

(prepared by Mariusz Szymański, KTP, festival producer)

Most popular:

An album of extraordinary adventures

It’ s like a game. The memory game, thanks to which you can look at a very ordinary family from an extraordinary perspective. ALBUM RODZINNY [Family album] – an opera by Jerzy Kornowicz with a libretto by Michał Rusinek – is another premiere of the ANAKLASIS label this year. This time, the record brand is expanding its audience to include the youngest listeners. The album will be released on 21st June.

IL TEMPO PASSA. The first monographic album by Joanna Wnuk-Nazarowa

Time passes constantly, changing the world and its soundscape around us. The title IL TEMPO PASSA may be both a reflection on the impermanence of life, world and things and a piece of advice to enjoy the moment. The latest album by ANAKLASIS presents Joanna Wnuk-Nazarowa’s cameral and symphonic works from recent years. Premiere on 28 May 2024, on the composer’s 75th birthday.

THE TALE OF THE HEART. FAVOLA IN MUSICA: a joint project by Aleksander Nowak and Radek Rak from ANAKLASIS on sale as of 6th October

It is a musical-literary tale about a quest for identity, truth, and for what makes us human. The new stage work by Aleksander Nowak – which is, at the same time, Radek Rak’s operatic debut – explores the sources of good and evil, fusing reality with mythology and steering towards ‘the left-hand side of the world’. The authors spin a tale about the dual human nature. THE TALE OF THE HEART. FAVOLA IN MUSICA – the album that presents their joint project – will go on sale on 6th October.

 

Różycki’s Adventures in Jazzland. The album INSPIRED BY LUDOMIR RÓŻYCKI from ANAKLASIS on sale as of 28th August

Spectacularly successful as Ludomir Różycki’s music was in his lifetime, it is seldom programmed nowadays. All the same, such remarkable art could hardly fall into utter oblivion. It has attracted and fascinated excellent jazz pianist Kuba Stankiewicz, who has translated it into the language of jazz. The effects have been recorded and released on ANAKLASIS label’s most recent album, INSPIRED BY LUDOMIR RÓŻYCKI, which goes on sale as of 28th August.
 

PWM przenosi się na Wiejską

PWM Edition is entering the execution phase of the revitalisation of its Warsaw department. With the commencement of the renovation and the implementation of the assumptions of the architectural design, the Hire Department and the editorial office of “Ruch Muzyczny” are moving to a temporary headquarters at 19 Wiejska Street, Warsaw.

THE QUEEN THAT LOVED A GERMAN. OUR ALBUM WANDA PREMIERES ON 31ST MARCH!

This is by no means a piece about the centuries-long Polish-German conflict. It is, instead, a tale of impossible love, of tragic conflict between personal happiness and the common good.

PWM Edition is the exclusive representative of the Ricordi publishing house in Poland

PWM Edition resumes cooperation with the Italian publishing house Ricordi, as well as with its international partners forming Universal Music Publishing Classics & Screen. This means that rentals of orchestral materials from the catalogues of all publishing houses belonging to Classics & Screen is carried out in Poland by Dział Zbiorów Nutowych (Sheet Music Department) of PWM.

#SHARPENYOUREARS WITH ANAKLASIS: THE LABEL’S THIRD BIRTHDAY

The most fascinating phenomena in contemporary music; a wide range of genres; outstanding works, excellent composers and performers – are the trademarks of the record label ANAKLASIS, launched by PWM Edition. ANAKLASIS is now celebrating its third birthday. It continues to grow at a dizzying pace and maintains the high artistic standards of its releases.

VIRTUOSITY WITH A FLOURISH. ELŻBIETA SIKORA’S CONCERTOS ALBUM PREMIERES ON 2ND DECEMBER!

When asked to attempt a definition of her music, she called it lyrical expressionism. The choice of this term says much about the emotional intensity of Elżbieta Sikora’s music, which may reflect the experience of her two home countries, Poland and France, but is also a consequence of her artistic maturation in an age when two powerful trends – the avant-garde and neo-Classicism – were vying for the palm. Such a label may also result from the artist’s focus on the listener as her target, whom she invariably attempts to surprise, shock, or bewilder.