News
110 Years of the National Philharmonic
2011-10-26
On November 5, 2011 The National Philharmonic will celebrate 110 years of artistic activity. It is the oldest institution of its kind in Poland, which over the years has played a huge role in promoting musical culture in Warsaw, presenting consistently high artistic level. Sincere congratulations for this beautiful Jubilee! Its opening in 1901 as the Warsaw Philharmonic was a great cultural event, which was widely written about in the press. The famous critic Aleksander Poliński wrote in "Kurier Warszawski":“Does the collective soul of the community sense the cultural importance of the new temple to art and support its goals? The near future will inform us whether or not the Philharmonic will respond worthily to its task. At the moment we can only predict that the new institution will have a hard task to accomplish, because injecting aesthetic culture and refining the nature of society with high artistic sensitivities in general is not easy. (...) There is already a magnificent building, there is a choice orchestra, and also an abundantly stocked library; the concert programmes announce the performance of major works, including the participation of first rate artists.”
Getting tickets for the opening concert was so difficult, that - as Danuta Jackiewicz writes - "the week before the concert many major celebrities still had no invitation, never mind ordinary music lovers. No wonder that the press circulated this verse:
Filharmonia – nie maruda / Ogłosiła już swe cuda:
Śród koncertów (to nie figa!) / Będzie miała nawet Griega!
Filharmonio! Pełna mocy! / Czcić cię będziem w dzień i w nocy!
Wielbić będziem cię na wylet / Ale daj nam także bilet”.
(“Philharmonic - no time to lose / already tells of wonders:
Among the concerts (not a fig!) / They will have even Grieg!
Filharmonio! Full power! / We’ll worship you day and night!
We’ll praise thee in our crowds / But give us too a ticket.”)
However, Włodzimierz Kalicki wrote with interesting detail about the inaugural concert: "The ‘whole of Warsaw’ was spinning and chatting in the foyer. Attention was drawn to the famous inventor Jan Szczepanik, called the "Polish Edison", the famous novelist Henryk Sienkiewicz and especially to the guest of honour of the occasion - the world-renowned virtuoso Ignacy Paderewski. The combined Lutnia choirs of Warsaw and Łódź, sang a cantata specially composed for the occasion “Żyj pieśni” by Władysław Żeleński. Or-Ot, the popular Warsaw poet Artur Oppman also wrote about the occasion. After the cantata, the "Symphony in D minor" by the young pianist and composer Zygmunt Stojowski living in Paris was played. The first part of the concert ended with Moniuszko’s concert overture, „Bajka”. The acoustics of the hall are stunning. In the last row of chairs the rustling of page turns in the music can be heard. After the break Paderewski himself performed. He played his own "Piano Concerto in A Minor". Then Zygmunt Noskowski’s symphonic poem "Steppe". When Paderewski reappeared, the audience got up from their seats and rewarded him with frenetic applause. The Master played works by Chopin and didn’t scrimp on encores. At the end, the delighted and amazed listeners claimed that it was already past midnight” (Gazeta Wyborcza, „Nasycili ducha w Filharmonii Warszawskiej”).
The Warsaw Philharmonic (from 1955 - National) has hosted the most outstanding Polish composers and performers over the years. It has given countless premieres; it was here that such works as Karol Szymanowski's two symphonies and his "Stabat Mater", Mieczysław Karłowicz’s four symphonic poems and Zygmunt Noskowski’s Symphony were first heard. As it turned out, Poliński’s expectations were confirmed, who wrote 110 years ago: "Let us hope that in undertaking this great task that the near future will be dignified, that with its activities it will sustain the honour of Polish arts and its work will have a redeeming impact on the nation.”
During Saturday's concert November 5, 2011 the Choir of the National Philharmonic (which in two years’ time will celebrate sixty years of its activity) will perform the cantata "Żyj pieśni". Soloist Dang Tai Son - winner of the Chopin Competition in 1980 will also appear as a soloist
Most popular:
The theme of the 37th Krakow International Festival of Composers is music in music. Already in the 1970s, this issue was studied by the outstanding founder of the Krakow Theoretical School, Professor Mieczysław Tomaszewski. He reflected on the subject in an article entitled “At the Opening: why ‘music in music’”, which was published before one of the famous Music Meetings in Baranów.
The theme of Krzysztof Knittel’s work is refuge and the uncertainty and anxiety about the unknown associated with it, as well as the other side of this topic, i.e. the need to provide help and shelter. The text of the oratorio is based on a poem by Tadeusz Sławek. The piece features singing, recitations, choral parts and improvisations based on the traditions of the Middle East. The album was premiered on 15 March during the 11th Festival of Premieres in Katowice.
Musicologists commonly call it “Kras 52” – after the former reference number it was given in the Krasiński Library. It is the most valuable Polish source of medieval polyphonic music, which shaped the soundscape of the court of the first Jagiellons and Kraków at that time. The manuscript is gaining new life now, thanks to a performance edition by Agnieszka Budzińska-Bennett and Marc Lewon. “Krasiński Codex” has just been published by PWM Edition with the support of the Adam Mickiewicz Institute.
Frequent guest of the world’s most famous music venues (New York’s Carnegie Hall and Lincoln Center, Amsterdam’s Concertgebouw, London’s Royal Albert Hall and BBC Proms, Vienna’s Musikverein and Konzerthaus), in February 2021 Bomsori signed an exclusive contract with the prestigious Deutsche Grammophon label. As of this year, she also bears the honourable title of ambassador of Grażyna Bacewicz’s music, which she performs worldwide, promoting the legacy of Poland’s most important woman composer.
The 4CD album featuring songs and instrumental works by the Silesian master goes on sale as of 8 November. Released by the ANAKLASIS music label, it will be premiered on 3 December during a special PWM Edition concert held as part of the 12th International Days of Henryk Mikołaj Górecki at the Silesian Philharmonic in Katowice.
The esteemed American-Canadian jazz musician Michael Bates, his Acrobat Ensemble and the Lutosławski Quartet will perform three concerts in Poland in November. The repertoire will include material recorded by the musicians on the album METAMORPHOSES: VARIATIONS ON LUTOSŁAWSKI, released by ANAKLASIS in the REVISIONS series.
The artists have already successfully presented it at Lincoln Center and Barbès Jazz Club in New York. In autumn 2024 we will have the opportunity to hear them live for the first time in Poland: 14.11 - Krakow, 15.11 - Lublin, 17.11 - Wroclaw.
The Fryderyk Chopin Institute in Warsaw invites to the inaugural session of the biennial International Digital Musicology Conference, which will be held 23–25 October 2024, at the Fryderyk Chopin Institute in Warsaw, Poland. The conference focuses on the integration of digital technologies into musicological research, with a special emphasis on introducing digital tools and methods to the Polish academic community, where digital musicology has not yet been widely adopted.
Although Ludomir Różycki - one of the most important representatives of Young Poland - enjoyed spectacular success as a composer during his lifetime, his works are rarely included in concert programmes today. It is therefore worth remembering his exceptional art.
Aleksander Nowak continues his original cycle of compositions that enter into a dialogue with most recent Polish literary works. The album premiere of his opera based on Marcin Wicha’s Nike-awarded book Things I Didn’t Throw Out will take place during the AUKSODRONE festival in Tychy.
Musical themes from Coppola’s cult movie, as deconstructed and reinterpreted by this wayward duo, will be performed at a live concert accompanied by the premiere of THEMES OF DRACULA from ANAKLASIS on vinyl records.