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Coming Soon - Premiere of the Opera "Madame Curie" by Elżbieta Sikora to a Libretto of Agata Miklaszewska

2011-11-03
On November 15, 2011 the world premiere of Elżbieta Sikora's opera "Madame Curie" will take place in Paris, performed to celebrate the International Year of Chemistry and the 100th anniversary of Maria Skłodowska-Curie being awarded the Nobel Prize. The opera is being prepared by artists from the Baltic Opera, on whose stage the work will be presented on November 25, 2011.

The opera’s libretto was written by Agata Miklaszewska, writer and poet, author of monodramas, stories, tales (including „Kamyk“, „Huśtawka“), and also texts to musicals such as „Metro”, „Romeo i Julia” , „Mała księżniczka” and „Kaj i Gerda – baśń o Królowej Śniegu”.

The author wrote of her entry into the world of the great scholar, “to be honest I knew very little about Maria Skłodowska-Curie - I forgot about her when I finished high school. I read everything again – first and foremost the book by her daughter Eve Curie, written with remarkable literary talent. Had it not been for her, we would know little about Maria. The more I read material about Maria Curie, letters, notes by people who knew her - it seemed to me that I knew less and less about her. Even the title of the libretto before it "became" the opera was "elusive". It seemed that some things were completely foreign to her, but suddenly, in friends’ recollections, in a comment which someone wrote to someone else about her, I found some remark that cast Maria in an  entirely new light. At some point I got a little confused. I had the impression that there were two different Marias, one of whom did not want to be in the spotlight, but was constantly there. I hope I did not put Madame Skłodowska-Curie through further distress…”

On the question of historical accuracy in the work the author answers, “all events and people are real - of course I have imagined around them too - but I hope that I haven’t done anyone any harm. The truth rather surpassed my literary ideas - for example, a photograph taken by an amateur at a conference in Solway, where we see Maria Skłodowska-Curie, surrounded by the greatest physicists of the last century, smiling and laughing, gracefully turning around as if dancing. I could not believe it was her. Lovely Madame Curie...They all knew each other, were friends - Pauli, Bohr, Heisenberg, young Einstein. For them, she must have been fascinating in her constant desire to explain some part of the mystery of the world. She had in her hands a mineral that shined, very mysterious, dangerous, deadly, which slowly realized – and then not only did she not want to, but was unable to give up the fight, at all costs to direct her discovery in the direction of good, not war. And it escaped from her hands, just like everything else. She wanted to be 'invisible' – she was on the candleholder, she sought peace, which was continually ruined by people and destiny. She loved France, but in her heart she was Polish, and when Poland regained its independence Polish science found a supporter in her and thanks to her the first institute of oncology was established. I am grateful to Elżbieta Sikora for 'forcing' me the libretto topic – thanks to that I could get close to the wonderful world of Mrs. Curie Skłodowska, but she herself remained for me in a fascinating way – still elusive.”

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37th Krakow International Festival of Composers, 10-18 May, 2025 under honorary auspices of Aleksander Miszalski, Mayor of Krakow

 

The theme of the 37th Krakow International Festival of Composers is music in music. Already in the 1970s, this issue was studied by the outstanding founder of the Krakow Theoretical School, Professor Mieczysław Tomaszewski. He reflected on the subject in an article entitled “At the Opening: why ‘music in music’”, which was published before one of the famous Music Meetings in Baranów. 

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The theme of Krzysztof Knittel’s work is refuge and the uncertainty and anxiety about the unknown associated with it, as well as the other side of this topic, i.e. the need to provide help and shelter. The text of the oratorio is based on a poem by Tadeusz Sławek. The piece features singing, recitations, choral parts and improvisations based on the traditions of the Middle East. The album was premiered on 15 March during the 11th Festival of Premieres in Katowice.

Music fit for a king. Discover the crown jewel of Polish polyphony

Musicologists commonly call it “Kras 52” – after the former reference number it was given in the Krasiński Library. It is the most valuable Polish source of medieval polyphonic music, which shaped the soundscape of the court of the first Jagiellons and Kraków at that time. The manuscript is gaining new life now, thanks to a performance edition by Agnieszka Budzińska-Bennett and Marc Lewon. “Krasiński Codex” has just been published by PWM Edition with the support of the Adam Mickiewicz Institute.

Korean violinist Bomsori Kim turns ambassador of Grażyna Bacewicz’s music

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The artists have already successfully presented it at Lincoln Center and Barbès Jazz Club in New York. In autumn 2024 we will have the opportunity to hear them live for the first time in Poland: 14.11 - Krakow, 15.11 - Lublin, 17.11 - Wroclaw.

First International Digital Musicology Conference

The Fryderyk Chopin Institute in Warsaw invites to the inaugural session of the biennial International Digital Musicology Conference, which will be held 23–25 October 2024, at the Fryderyk Chopin Institute in Warsaw, Poland. The conference focuses on the integration of digital technologies into musicological research, with a special emphasis on introducing digital tools and methods to the Polish academic community, where digital musicology has not yet been widely adopted. 

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THINGS. A VAUDEVILLE: Music by Aleksander Nowak to a libretto by Marcin Wicha, on sale as of 5 October.

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Dracula’s Second Life: A project by Piotr Orzechowski ‘Pianohooligan’ and Kuba Więcek, now also on LPs!

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