News
"Łańcuch IX" - The Lutosławski Festival in the 99th Anniversary of the Composer's Birth
2012-01-17
From 25 January - 4 February 2012, the ninth edition of the "Łańcuch IX" festival, organized by the Witold Lutosławski Society, will take place in Warsaw The festival will feature four concerts: at the Royal Castle and the W. Lutosławski Polish Radio Concert Studio, during which the pieces "Symphonic Variations," "Interlude" and pieces by Andrzej and Grażyna Krzanowski, Henri Dutilleux, Magnus Lindberg, and many other composers, will be heard, as well as other pieces.„Łańcuch IX” will take place just three months after the eighth edition of the Festival in October. As the organizers have said, "This accelerated organizational cycle of the event is dictated by our desire to permanently bind the date of the festival to the date of Witold Lutosławski’s birth – and therefore the festival will be inaugurated on January 25, exactly on the 99th anniversary of the birth of the Patron of the festival."
During the inaugural concert Solveig Kringelborn together with Ivar Anton Waagaard will perform the song cycle “Chantefleurs et chantefables” for soprano and piano. In the second concert, called „Wspominając Stefana Jarocińskiego (Remembering Stefan Jarociński)” (on the hundredth anniversary of the birth of the excellent musicologist, and Witold Lutosławski’s friend) cellist Bartosz Kozło and pianist Agnieszka Kozło will perform. On the third day of the festival Klaudiusz Baran – one of the most accomplished accordionists of the younger generation – and also the Opium Quartet, Grzegorz Krawiec (guitar), Jarosław Kutera (accordion), Alina Ratkowska (harpsichord) and tuba players Zdzisław Piernik and Krzysztof Żebrowski will perform Andrzej Krzanowski’s „Ode for solo accordion”, „Sonata per taba sola”, „Wiatr echo niesie po polanie” for accordion and amplified harpsichord, „Relief VI” for amplified bass accordion, „String Quartet III” and „Sonata for Guitar” and „Rapsody for solo accordion” by Grażyna and Andrzej Krzanowski.
In the final concert of the festival the artists of the National Symphony Orchestra of Polish Radio, under the baton of French conductor Pierre-André Valade, will perform "Interlude" and "Symphonic Variations" by Witold Lutosławski, amongst other pieces.
In addition, for the second time, the organizers have prepared something for younger listeners. On February 4, 2012 the Educational Hall of the Ujazdowski Castle Centre for Contemporary Art will feature two musical workshop-performances: „Kusy Janek” and „Podwórko z Mazurkami”.
You can find more information about the concerts being held as part of „Łańcuch IX” on the page http://www.lutoslawski.org.pl/
Most popular:
It’ s like a game. The memory game, thanks to which you can look at a very ordinary family from an extraordinary perspective. ALBUM RODZINNY [Family album] – an opera by Jerzy Kornowicz with a libretto by Michał Rusinek – is another premiere of the ANAKLASIS label this year. This time, the record brand is expanding its audience to include the youngest listeners. The album will be released on 21st June.
Time passes constantly, changing the world and its soundscape around us. The title IL TEMPO PASSA may be both a reflection on the impermanence of life, world and things and a piece of advice to enjoy the moment. The latest album by ANAKLASIS presents Joanna Wnuk-Nazarowa’s cameral and symphonic works from recent years. Premiere on 28 May 2024, on the composer’s 75th birthday.
It is a musical-literary tale about a quest for identity, truth, and for what makes us human. The new stage work by Aleksander Nowak – which is, at the same time, Radek Rak’s operatic debut – explores the sources of good and evil, fusing reality with mythology and steering towards ‘the left-hand side of the world’. The authors spin a tale about the dual human nature. THE TALE OF THE HEART. FAVOLA IN MUSICA – the album that presents their joint project – will go on sale on 6th October.
Spectacularly successful as Ludomir Różycki’s music was in his lifetime, it is seldom programmed nowadays. All the same, such remarkable art could hardly fall into utter oblivion. It has attracted and fascinated excellent jazz pianist Kuba Stankiewicz, who has translated it into the language of jazz. The effects have been recorded and released on ANAKLASIS label’s most recent album, INSPIRED BY LUDOMIR RÓŻYCKI, which goes on sale as of 28th August.
PWM Edition is entering the execution phase of the revitalisation of its Warsaw department. With the commencement of the renovation and the implementation of the assumptions of the architectural design, the Hire Department and the editorial office of “Ruch Muzyczny” are moving to a temporary headquarters at 19 Wiejska Street, Warsaw.
This is by no means a piece about the centuries-long Polish-German conflict. It is, instead, a tale of impossible love, of tragic conflict between personal happiness and the common good.
PWM Edition resumes cooperation with the Italian publishing house Ricordi, as well as with its international partners forming Universal Music Publishing Classics & Screen. This means that rentals of orchestral materials from the catalogues of all publishing houses belonging to Classics & Screen is carried out in Poland by Dział Zbiorów Nutowych (Sheet Music Department) of PWM.
The most fascinating phenomena in contemporary music; a wide range of genres; outstanding works, excellent composers and performers – are the trademarks of the record label ANAKLASIS, launched by PWM Edition. ANAKLASIS is now celebrating its third birthday. It continues to grow at a dizzying pace and maintains the high artistic standards of its releases.
When asked to attempt a definition of her music, she called it lyrical expressionism. The choice of this term says much about the emotional intensity of Elżbieta Sikora’s music, which may reflect the experience of her two home countries, Poland and France, but is also a consequence of her artistic maturation in an age when two powerful trends – the avant-garde and neo-Classicism – were vying for the palm. Such a label may also result from the artist’s focus on the listener as her target, whom she invariably attempts to surprise, shock, or bewilder.