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Wojciech Ziemowit Zych's Work, Solilokwium II - Pejzaż myśli zamarzłych in France
2014-01-07
Wojciech Ziemowit Zych's work, „Solilokwium II - Pejzaż myśli zamarzłych” (Soliloquy II- Landscape of Frozen Thoughts) will be presented alongside works by C. Nielsen and L. van Beethoven by Pierre Génisson (clarinet) and the Ostinato Orchestra conducted by Patrycja Pieczara on January 21 at a concert in Vincennes and 22 January in Lycée Sainte-Geneviève in Versailles. In 2000, the work was awarded first prize in the category "String orchestra with solo instrument" in the second Andrzej Panufnik Competition for Young Composers in Krakow."Soliloquy II- Landscape of Frozen Thoughts for bass clarinet and 20 string instruments is a work written in 1999, at a time when I was still a composition student in the class of prof. Marek Stachowski at the Academy of Music in Kraków, and shortly after my stay at the Rotterdam Conservatory in the Netherlands where, thanks to a Socrates / Erasmus scholarship I was a student in the composition class of Peter-Jan Wagemans. In this work, which belongs to my early works, there are, from the side of compositional technique, many obvious borrowings and references, including to the chain technique and harmonic organisation of Witold Lutoslawski, the string sonorism of Krzysztof Penderecki's early works, and finally to the idea of spatial music of Iannis Xenakis. However, the result of these many inspirations has become, in my subjective assessment, paradoxically, a coherent artistic statement. It is not yet devoid of youthful naivety, but already in possession of a fairly strong independent character, a glimmer of artistic maturity that distinguishes Soliloquy II from other, school compositions from that time. This is why this work today is the only one written during my composition studies which is in its own way current. This is because I can find in it the seeds of areas of compositional searching which are still relevant to me. Perhaps the two most important ones are: the idea of spatial music, and a fascination with the sound of bass clarinet, developed and deepened afterwords in other works." [Wojciech Ziemowit Zych]
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