News
Tomasz Sikorski's "Struny w ziemi" ["Strings in the Earth"] in the National Phil
2014-03-10
Tomasz Sikorski's "Strings in the earth" for string orchestra is a work rarely hosted in philharmonic halls. The Warsaw Philharmonic has reached out for such an ambitious repertoire, and will perform this work under the direction of Jerzy Maksymiuk in concert on March 21.
At the concert Arvo Pärt's "Lamentate" will also be heard (Marcin Koziak will play the piano) and Beethoven's Symphony IV.
May 19, 2014 will mark Tomasz Sikorski's 75th birthday, one of the most original artists of twentieth-century music in Poland. "Strings in the earth", inspired by the poetry of James Joyce, is a work full of tragedy and despair, but also sounds very attractive, with masterly use of the wealth of colours from the string ensemble, despite the limited musical material.
Most popular:
The short documentary “Bacewicz x Bomsori”, directed by Jakub Piątek, is reaching an ever-wider international audience. The film, which explores South Korean violinist Bomsori Kim’s encounter with the music of Grażyna Bacewicz, will be screened at upcoming film festivals in Warsaw, Reykjavik and Barcelona.
Contact. Sonoromanza is an opera by Alek Nowak and Paweł Sołtys’s literary debut in the world of classical music. A contemporary tale of longing, the desire for conversation and the need for closeness, performed by Joanna Freszel, Karol Kozłowski and the AUKSO Chamber Orchestra of the City of Tychy, conducted by Marek Mos. The debut album, ANAKLASIS, is now available to buy and on streaming services.
October will bring a series of world premieres of the latest compositions by artists represented byPWM Edition. New works by Zygmunt Krauze, Alek Nowak, Joanna Woźny, Ewa Fabiańska-Jelińska, Agata Zubel, Paweł Malinowski, Andrzej Kwieciński and Aleksander Lasoń will be performed in Poland, as well as in Japan, Germany and Austria.
On September 14, the prestigious Teatro Petruzzelli in Bari will host the Italian premiere of Zygmunt Krauze's two-act opera, which tells the poignant story of Bona Sforza d’Aragona. Staging this work in Bari carries deep symbolic meaning – it is the very city where the title heroine spent her final years and was laid to rest.
This autumn, with the September premieres of the latest Polish music, we are stepping forward neither boldly nor timidly – in keeping with Gdańsk’s motto. It is in this city that the first world premieres will take place. In September, we will be listening to new works by Polish composers in Gdańsk, Warsaw and Valencia. For the first time, we will hear works by Tadeusz Wielecki, Lidia Zielińska, Krzysztof Knittel and Agata Zubel.
Karol Augustyniak and Artur Szczepkowski have been selected as winners of the composer.pl programme – an artistic residency in Iceland for young Polish composers. The invited participants’ creative residency in the ‘Land of Ice and Fire’ will last two weeks, from 8 to 25 September.
Today, 2 December, marks the start of the 18th edition of one of Europe's most prestigious conducting competitions: the Donatella Flick – London Symphony Orchestra Conducting Competition. Grażyna Bacewicz's Concerto for String Orchestra is among the repertoire as an obligatory piece.
This timeless encounter with the music of ‘Poland’s last Romantic’ Tadeusz Baird and with the interpretative feats of NOSPR Polish National Radio Symphony Orchestra features three symphonies and four outstanding conductors in both rediscovered historical and new recordings, released together on a 2CD album from ANAKLASIS.
Iconic songs by Zygmunt Konieczny that audiences of Ewa Demarczyk loved decades ago in a new arrangement by Cezary Duchnowski. The latest ANAKLASIS album with Agata Zubel, Andrzej Bauer, Bartek Wąsik and the National Polish Radio Symphony Orchestra conducted by Alexander Humala is now available for purchase.
The theme of the 37th Krakow International Festival of Composers is music in music. Already in the 1970s, this issue was studied by the outstanding founder of the Krakow Theoretical School, Professor Mieczysław Tomaszewski. He reflected on the subject in an article entitled “At the Opening: why ‘music in music’”, which was published before one of the famous Music Meetings in Baranów.