News
Irish Premiere of Roman Statkowski's Opera "Maria"
2011-10-24
The Irish premiere of Roman Statkowski’s opera "Maria" proved a great success during the 60th Opera Festival in Wexford. It was a special event, because after the recent "discovery" of the work by Łukasz Borowicz and his recording it in a concert version, finally "Maria" has returned to the stage after many years. The work, directed by Michael Gieleta, an artist of Polish descendancy, living permanently in London, was led by Tomasz Tokarczyk, music director of Kraków Opera. The solo parts were performed by Daria Masiero (Maria), Rafał Bartmiński (Wacław), Adam Kruszewski (Miecznik) and Krzysztof Szumański (Wojewoda). The work was received with immense enthusiasm and the audience particularly applauded the excellent Rafał Bartmiński. The staging of the opera was a huge surprise, moved to the realities of the times of martial law in Poland. The O'Reichy Theatre (771 seats), filled to the edges, rewarded the performers with thunderous applause.We owe the creation of "Maria" to a coincidence of lucky accidents. A year earlier, in 1903, the composer wrote the opera "Filenis" for which he received an award at an international competition in London. A moment later, a competition was announced in Warsaw, for which the composition of an opera based on Antoni Malczewski’s poetic novel, "Maria", was required. As a prize-winner, Statkowski proceeded to write another work, and, beating his younger colleagues, Henryk Melcer and Henryk Opieński, he received the first prize. „Maria” was performed two years later, 1 March 1906, on the stage of the Grand Theatre in Warsaw.
According to Józef Kański it was written under the clear influence of Statkowski’s beloved master, Piotr Tchaikovsky, shrouded however in an equally strong Polishness, and in some moments, saturated with "programmatic" Ukrainian elements, distinguished by being uncommonly melodic and full of dramatic nerve - and is certainly one of the best operas of the post-Moniuszko period.
During the festival in Wexford the opera will be presented three more times: 28 and 31 October and 4 November, 2011. Each performance will be preceded by a half-hour lecture about the work, which will be given by Brian Dickie, artistic director the Festival in the period 1967-1973, since 1999 director of the Chicago Opera Theater.
In Poland, "Maria" will pay a visit next artistic season to the stage of Kraków Opera. November 11, 2011 a recording of "Maria" from the Wexford Festival will be transmitted on Radio Two, but already on Friday evening, October 28, 2011 on the TOK FM radio station you can listen to an extensive report about the Festival.
Most popular:
The esteemed American-Canadian jazz musician Michael Bates, his Acrobat Ensemble and the Lutosławski Quartet will perform three concerts in Poland in November. The repertoire will include material recorded by the musicians on the album METAMORPHOSES: VARIATIONS ON LUTOSŁAWSKI, released by ANAKLASIS in the REVISIONS series.
The artists have already successfully presented it at Lincoln Center and Barbès Jazz Club in New York. In autumn 2024 we will have the opportunity to hear them live for the first time in Poland: 14.11 - Krakow, 15.11 - Lublin, 17.11 - Wroclaw.
The Fryderyk Chopin Institute in Warsaw invites to the inaugural session of the biennial International Digital Musicology Conference, which will be held 23–25 October 2024, at the Fryderyk Chopin Institute in Warsaw, Poland. The conference focuses on the integration of digital technologies into musicological research, with a special emphasis on introducing digital tools and methods to the Polish academic community, where digital musicology has not yet been widely adopted.
It’ s like a game. The memory game, thanks to which you can look at a very ordinary family from an extraordinary perspective. ALBUM RODZINNY [Family album] – an opera by Jerzy Kornowicz with a libretto by Michał Rusinek – is another premiere of the ANAKLASIS label this year. This time, the record brand is expanding its audience to include the youngest listeners. The album will be released on 21st June.
Time passes constantly, changing the world and its soundscape around us. The title IL TEMPO PASSA may be both a reflection on the impermanence of life, world and things and a piece of advice to enjoy the moment. The latest album by ANAKLASIS presents Joanna Wnuk-Nazarowa’s cameral and symphonic works from recent years. Premiere on 28 May 2024, on the composer’s 75th birthday.
It is a musical-literary tale about a quest for identity, truth, and for what makes us human. The new stage work by Aleksander Nowak – which is, at the same time, Radek Rak’s operatic debut – explores the sources of good and evil, fusing reality with mythology and steering towards ‘the left-hand side of the world’. The authors spin a tale about the dual human nature. THE TALE OF THE HEART. FAVOLA IN MUSICA – the album that presents their joint project – will go on sale on 6th October.
Spectacularly successful as Ludomir Różycki’s music was in his lifetime, it is seldom programmed nowadays. All the same, such remarkable art could hardly fall into utter oblivion. It has attracted and fascinated excellent jazz pianist Kuba Stankiewicz, who has translated it into the language of jazz. The effects have been recorded and released on ANAKLASIS label’s most recent album, INSPIRED BY LUDOMIR RÓŻYCKI, which goes on sale as of 28th August.
PWM Edition is entering the execution phase of the revitalisation of its Warsaw department. With the commencement of the renovation and the implementation of the assumptions of the architectural design, the Hire Department and the editorial office of “Ruch Muzyczny” are moving to a temporary headquarters at 19 Wiejska Street, Warsaw.
This is by no means a piece about the centuries-long Polish-German conflict. It is, instead, a tale of impossible love, of tragic conflict between personal happiness and the common good.
PWM Edition resumes cooperation with the Italian publishing house Ricordi, as well as with its international partners forming Universal Music Publishing Classics & Screen. This means that rentals of orchestral materials from the catalogues of all publishing houses belonging to Classics & Screen is carried out in Poland by Dział Zbiorów Nutowych (Sheet Music Department) of PWM.