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Marta Ptaszyńska's Holocaust Memorial Cantata at a Concert in the National Philharmonic

2013-04-02
On April 19, in the concert hall of the National Philharmonic, Marta Ptaszyńska's “Holocaust Memorial Cantata” will be heard. The work will performed as part of the concert marking the 70th anniversary of the Warsaw Ghetto Uprising. The piece "Holocaust Memorial Cantata. Lament for all people on Earth" for soprano, tenor, baritone, mixed choir and orchestra was written in 1992. The composer said, "As the Cantata was conceived as an unusually extended prayer, I gave it a contemplative and somber expression, sometimes exalted and solemn, sometimes with a lyrical character, just here and there bringing in  fragments marked with more power and drama. The continuous repetition of the words not to forget, sung in English, Hebrew, Yiddish and Polish, have a fundamental significance and are very characteristic of funeral prayers. This recurrent phrase here becomes the driving force in this work. The Cantata consists of ten passages, contained in two parts. The dramatic culmination is placed in accordance with the structure of the poem, in the sixth paragraph, What Happened to Six Million Jews."

The concert marking the 70th anniversary of the Warsaw Ghetto Uprising will take place on 19 April at 19:30. It will be performed by the Polish Sinfonia Iuventus Orchestra conducted by Piotr Gajewski, the choir of the National Philharmonic led by Henryk Wojnarowski, Monika Mych-Nowicka (soprano), Dariusz Pietrzykowski (tenor), Adam Kruszewski (baritone), Eliza Kruszczyńska (soprano), Alon Harari (contratenor). In addition to Marta Ptaszyńska's work we will also hear John Tavener's „Lament for Jerusalem”.

Prior to the concert, at 18:30, we invite you to a pre-concert lecture given by Małgorzata Gąsiorowska.

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The theme of Krzysztof Knittel’s work is refuge and the uncertainty and anxiety about the unknown associated with it, as well as the other side of this topic, i.e. the need to provide help and shelter. The text of the oratorio is based on a poem by Tadeusz Sławek. The piece features singing, recitations, choral parts and improvisations based on the traditions of the Middle East. The album was premiered on 15 March during the 11th Festival of Premieres in Katowice.

Music fit for a king. Discover the crown jewel of Polish polyphony

Musicologists commonly call it “Kras 52” – after the former reference number it was given in the Krasiński Library. It is the most valuable Polish source of medieval polyphonic music, which shaped the soundscape of the court of the first Jagiellons and Kraków at that time. The manuscript is gaining new life now, thanks to a performance edition by Agnieszka Budzińska-Bennett and Marc Lewon. “Krasiński Codex” has just been published by PWM Edition with the support of the Adam Mickiewicz Institute.

Korean violinist Bomsori Kim turns ambassador of Grażyna Bacewicz’s music

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Witold Szalonek: A Double Portrait of the Silesian Master. In Search of the Musical Soul of Voices and Instruments

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Michael Bates' Acrobat and Lutosławski Quartet on a Polish tour with music by Witold Lutoslawski

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First International Digital Musicology Conference

The Fryderyk Chopin Institute in Warsaw invites to the inaugural session of the biennial International Digital Musicology Conference, which will be held 23–25 October 2024, at the Fryderyk Chopin Institute in Warsaw, Poland. The conference focuses on the integration of digital technologies into musicological research, with a special emphasis on introducing digital tools and methods to the Polish academic community, where digital musicology has not yet been widely adopted. 

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THINGS. A VAUDEVILLE: Music by Aleksander Nowak to a libretto by Marcin Wicha, on sale as of 5 October.

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Dracula’s Second Life: A project by Piotr Orzechowski ‘Pianohooligan’ and Kuba Więcek, now also on LPs!

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