• Duration: 12'
• Instrumentation: 0000-0000-archi (5.4.4.3.2)
• Year: 1998
• Type: parts, score

The Sinfonietta for string orchestra is a one-movement work alluding to earlier works scored for string orchestra. The appearance of superb string ensembles in Poland has favored the writing of works for this unusually attractive performance resource. Already in 1970, the Polish Chamber Orchestra, with its leader Jerzy Maksymiuk, became the addressee of many superb works for string orchestra (among others, my Divertimento). Such ensembles as Agnieszka Duczmals Amadeus or Robert Kabaras Sinfonietta Cracovia have become an inspiration for many composers. The commission of the Sinfonietta for the Kissinger Sommer Festival was associated with this latter ensemble. In this onemovement work, one can distinguish three phases both in the formal and in the expressive aspects. The main, middle part of the work is couched in a framework of smaller groupings, fulfilling introductory and closing functions. It begins with an ostinato rhythm in the lower instruments, which in the further course of this part gradually takes over all of the instruments. A gradual intensification of the rhythm takes place, expressing itself in increased motion and tension, which in consequence leads to the culmination of the entire work. In the final phase of the composition, a reverse process takes place. The rhythm is gradually slowed down, which combined with a reduction in dynamic and sound volume, leads to complete quiet and stillness. Marek Stachowski