Favourite Studies
for Violin
The collection, Favourite studies is intended for music primary schools (some etudes can be used in secondary school). My objective was to collect into one book the most valuable etudes of various authors, representing recognised violin schools French, German, Russian, Italian and Czech. The etudes have been ordered according to degree of difficulty. At the beginning, there are simple pieces, in first position, with different types of problems and difficulties that grow more or less in line with the instrumental pupil. It is vital to respect the suggested tempi although this should be understood that not at the very beginning of working on a given etude. Single problem etudes constitute a large group, directed to the left or right hand and often at both working together. Exam etudes are also included in the collection, providing further musical demands. The list of double-stopping etudes is rich. The lack of such to date has been painfully felt by teachers. Concerning the selection of individual etudes, apart from technical qualities, aesthetic-psychological qualities have been considered: I have tried to choose melodic pieces or the collection, as when they are attractive to the ear they are eagerly played by pupils.
Atonal etudes form a special group. The intention here is to bring those in our care closer to the problems of contemporary music and prepare them to perform it.
I hope that this training material that I have proposed, combined with the new way of looking at methods for this will make the learners work easier and that young violinists will get great use from it.
ANTONI COFALIK
Atonal etudes form a special group. The intention here is to bring those in our care closer to the problems of contemporary music and prepare them to perform it.
I hope that this training material that I have proposed, combined with the new way of looking at methods for this will make the learners work easier and that young violinists will get great use from it.
ANTONI COFALIK
- Editor: Antoni Cofalik
- Cover Design: Marcin Hernas
- Series: Strumento
- ISMN 979-0-2740-0710-2
- Number of pages: 96
- Cover: softcover
- No. of edition: 5
- Published: 2021
- Type: instrumental solo
- Size: N4 vertical (235x305 mm)
Table of contents:
| Rodionow K. | |
|
Campagnoli Bartolomeo |
|
| Komarowski A. | |
| Komarowski A | |
| Dwojrin I. | |
|
David Ferdinand |
|
| Czystow A. | |
| Grünwald A. | |
|
Cofalik Antoni |
|
|
Rode Pierre |
Caprice No. 2 |
|
Twardowski Romuald |
Caprice No. 3 |
|
Campagnoli Bartolomeo |
Caprice Op. 22 No. 15 |
|
Bériot Charles-Auguste |
Methode de Violon Op. 102 |
| Beriot Ch. | Methode de Violon Op. 102 |
|
Bériot Charles-Auguste |
Methode de Violon Op. 102 |
| Bériot Charles-August | Methode de Violon Op. 102 |
|
Cofalik Antoni |
Nova |
| Grünwald A. | No. 26 |
|
Benda Jiri |
No. 27 |
|
Benda Jiri |
No. 28 |
| Fiorillo Federico | No. 28 |
| Grünwald A. | No. 32 |
| Fiorillo Federico | No. 5 |
| Rovelli P. | No. 6 |
| Rovelli P. | No. 7 |
| Grünwald A. | No. 8 |
| Fiorillo Federico | No. 9 |
| Kayser Heinrich | Op. 20 No. 1 |
| Kayser Heinrich | Op. 20 No. 10 |
| Kayser Heinrich | Op. 20 No. 19 |
| Kayser Heinrich | Op. 20 No. 20 |
| Kayser Heinrich | Op. 20 No. 26 |
| Kayser Heinrich | Op. 20 No. 3 |
| Kayser Heinrich | Op. 20 No. 30 (after K. Fortunatow) |
|
Campagnoli Bartolomeo |
Op. 22 No. 25 |
| Mazas Jacques Féréol | Op. 36 No 17 |
| Mazas Jacques Féréol | Op. 36 No. 21 |
| Mazas Jacques Féréol | Op. 36 No. 24 (In Wieniawski's Styles) |
| Mazas Jacques Féréol | Op. 36 No. 25 |
| Mazas Jacques Féréol | Op. 36 No. 26 (Polonaise) |
| Mazas Jacques Féréol | Op. 36 No. 28 |
| Mazas Jacques Féréol | Op. 36 No. 29 |
| Mazas Jacques Féréol | Op. 36 No. 30 |
| Mazas Jacques Féréol | Op. 36 No 47 |
| Mazas Jacques Féréol | Op. 36 No. 57 ( Tyrolean Melody) |
| Mazas Jacques Féréol | Op. 36 No. 7 |
| Mazas Jacques Féréol | Op. 36 No. 9 (March) |
|
Dont Jacob |
Op. 37 No. 9 |
|
Wohlfahrt Franz |
Op. 38 No. 83 |
|
Wohlfahrt Franz |
Op. 45 No. 28 |
|
Wohlfahrt Franz |
Op. 45 No. 34 |
|
Wohlfahrt Franz |
Op. 45 No. 4 |
|
Wohlfahrt Franz |
Op. 45 No. 54 |
|
Wohlfahrt Franz |
Op. 45 No. 59 |
|
Wohlfahrt Franz |
Op. 54 No. 8 |
|
Wohlfahrt Franz |
Op. 54 No. 9 |
|
Dancla Charles |
Op. 68 No. 15 |
|
Dancla Charles |
Op. 68 No. 5 |
|
Dancla Charles |
Op. 68 No. 9 |
|
Wohlfahrt Franz |
Op. 74 No. 27 |
|
Wohlfahrt Franz |
Op. 74 No. 50 |
|
Dancla Charles |
Op. 84 No. 1 |
|
Dancla Charles |
Op. 84 No. 34 |
|
Dancla Charles |
Op. 84 No 35 |
|
Dancla Charles |
Op. 84 No. 7 |
|
Bériot Charles-Auguste |
Op. 9 No. 4 |
| Kayser Heinrich | Op. 20 No. 13 |
| Mazas Jacques Féréol | Op. 36 No. 3 |
|
Wohlfahrt Franz |
Op. 45 No. 6 |
|
Joachim Joseph |
Violinchule No. 118 |
|
Joachim Joseph |
Violinschule No. 175 |
|
Joachim Joseph |
Violinschule No. 62 |
|
Joachim Joseph |
Violinschule No. 77 |
|
Joachim Joseph |
Violinschule No. 99 |
| Dwojrin | In Paganini's Style |
